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Agent Vinod gets mixed reviews. Sriram Raghavan’s Saif-Kareena starrer is brilliant in bits, and incredibly asinine in others. Saif and Kareena’s performance doesn’t impress much, there was little that the supporting cast could do to save the day, feel critics.

What went wrong
Concurs Raja Sen, Rediff, “If only Agent Vinod were a video game. It has all the hallmarks of a classic: from explosive wall-to-wall action to various levels of globetrotting mayhem, from challenging moments of hand-to-hand combat and clue-hunting to an eclectic slew of fascinating side characters, from a helluva background score to, quite vitally, the fact that it doesn’t end where it should and instead keeps giving the protagonist more to do.”

But it’s chic and uber-cool
Taran Adarsh however feels that Agent Vinod is a chic James Bond kind of a Hindi film. “Sriram Raghavan bestowed Saif with an absolute switch in Ek Hasina Thi. An unblemished look, an unsullied representation. It showcased the aptitude that the actor possesses, which, unfortunately, wasn’t tapped in his earlier movies. With Agent Vinod, Sriram and Saif embark upon a spanking new journey, sorry mission, to come up with a spy film. A chic James Bond kind of a Hindi film.”

Stereotype characters?
“Despite miraculous leaps in production values, spy thrillers in Bollywood end up looking like Chinese equivalents of western products. And here, the characters are even stereotyped to the extent of detectives wearing trench coats and moles being obvious, shifty-eyed and literally uncomfortable in their own skin. So let’s just say foreign locales, weapons to annihilate the world, designer suits and not-so-excruciating interrogations don’t cumulatively justify ‘Agent Vinod’ as a thrilling movie-watching experience,” writes Kunal Guha, Yahoo.

Slow pace
“Unwanted scenes (between the lead pair) and unwarranted songs add to the film’s already lazily unfurling narrative. For a thriller that talks of nuclear explosions and a plot that zips from one country to another, the film moves at a staggeringly sluggish pace, and is only intermittently gripping,” writes Guha.

“An ambitious script, set in various countries, Agent Vinod is by far the most credible secret agent movie made in Bollywood. This hi-octane thriller has style and substance, both!” feels Adarsh.

“Sriram Raghavan and Arijit Biswas’s story is noting out of the ordinary when you compare to other films of the same genre. Of course, Bollywood has seen very few spy films of late, at least not any memorable ones, but that doesn’t imply that the audience will accept a below-average story. However, it is the screenplay, also by the same writers, is where Agent Vinod really falters. While the writer-director Sriram Raghavan has made sure that the scenes are slickly shot and executed but at times, they hardly make any sense. Although this does gives a feeling of anticipation, the audience soon realizes that there is nothing earth-shattering that is going to be revealed in the plot,” writes Mrigank Dhaniwala,

“Sriram himself is the vital USP of this endeavor. His method of exemplifying the anecdote is way too varied from the prototypes. Drifting away completely from the Bond movies of swanky cars and cool babes, this one is more about electrifying thrills along with a lot of wit and intelligence and a garnishing of the desi tadka. The nuggets of the quirky humor injected in the plot work incredibly well,” says Adarsh.

But Raja Sen differs with Adarsh. “Agent Vinod wants to be funny, and while there is the occasional burst of wit, it’s exhaustingly rare. Sriram Raghavan is, first and foremost, a film fanboy, and sure this film has references sprinkled through it? the greatest salutes being to the 1978 Don, with a mention of that immortal character’s dislike of a person’s shoes, and with inconveniently dead Iftekhaars who are the only ones aware of a protagonist’s true allegiance?”


Saif Ali Khan
“After playing a straightforward simpleton in Aarakshan, Saif returns as a spy in Agent Vinod. Saif has a distinct style of dialogue delivery that gels well with the character here. Saif is effectual and charming all through. It’s a flawless performance and it’s an absolute delight watching Saif get into the groove so magnificently,” says Adarsh.

“When the lead cast of the film fails you, it’s like the tail-enders are put to task. But with Saif and Kareena both believing that expressions are injurious to health, there was little that the supporting cast could do to save the day,” says Guha.

Kareena Kapoor
“Kareena has a pivotal part to play and the fact of the matter is that only a commanding actress could’ve pulled this role off with elan, flamboyance and vulnerability. The fact that she is superlatively talented only gets reiterated with this awe-inspiring and elaborate act,” feels Adarsh.

“On the whole, Agent Vinod is a hi-octane espionage thriller with a heart. It is not just brawny and dynamic, but witty and crazy too. Ultra slick and stylish, this desi Bond movie adheres to the formula and succeeds in meeting the humungous expectations. Agent Vinod has all the potential to develop into a triumphant franchise!” Writes Adarsh.

“Sriram Raghavan’s Agent Vinod is brilliant in bits, and incredibly asinine in others. It’s probably the most inconsistently good film I’ve watched lately, and a massive letdown. Which is a pity. It could have made for a rare, looked-forward-to franchise,” concludes Guha.


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